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ArrayOfLilly
Saskya
Saskya
Anyone? C'mon, let's keep Eighteyes' thread alive with amazing know-how!
Architela
moldypetunia
eighteyed
eighteyed
So glad you are enjoying the thread, Architela! I wish so far the questions were concerning things I knew more about, but fortunately Array of Lilly and Liebling have chimed in. I think I'm going to have to offer up some examples to get back to my territory ^_^
Saskya
Basically, in Inkscape, you use the EXTENTION > OBJECT FROM PATH > INTERPOLATE between two separate object shapes you've made. Muck with the steps, etc in the interpolate options window. It's not as 'smooth' as AI, but it still gives the basic effect. Any other effect, even if it appears gradient/transparent in inkscape will not import into SS with that effect -- as you know, it'll be just a plain block/circle/whatever.
moldypetunia wrote:
praxicalidocious
praxicalidocious
This template:
Actually looks like this in SS:
But you'd never know.
praxicalidocious
I would *never* have had the patience to reassemble this template before the box trick.
Hrm.
...Would people be more interested in Seamless Lite tips?
I'm trying to bring this thread back from the neverwhere, but maybe I'm the only one interested?
eighteyed
eighteyed
eighteyed
Our Friend, the Wave Tool.
I use this tool all the time, it's very handy, and I want to show you beginners some tricks with it.
It's great to use in several versions, as it looks quite different when you distort it, yet the different versions combine as design elements quite agreeably, because they are based on the same shape.
Here's one that I duplicated exactly, then flipped, and attatched. Below, I flipped the two of them, and made a diamond. I duplicated the four shapes making the diamond, and rotated them 90 degrees to make the shape. Then I rotated the whole shape to make another version, which looks quite different in attitude.
Here's the beginnings of a template (which I didn't save) made with only this design, mostly at the same size. I did reduce one and rotate it to overlay over two adjoining boxes.
Here are some other shapes from my library which I have often used in templates, made in this manner.
Here are typical templates which rely very heavily on these kinds of ornament, please ask any specifics of how I made them:
praxicalidocious
Thanks, Edith. Okay; makes sense. Here's one that fits the bill. :)
Both SS and SL are very touchy about precision movement of parts. It's too 'fidgety'.
As other people have mentioned, the shift key has a number of great applications--
I like to use it for moving elements. (If you are new to the software, try an action, and then try the same action while holding shift - you get a number of new 'secret' tools that way.)
If I have something that isn't quite properly aligned, I shift-arrow(x2) it away from where I want the piece to go.
arrow key = 1 step
shift-arrow key= 5 steps
Then I click on the piece with my cursor, and hold shift down again. Right-angle guidelines will appear around your shape. Now, holding shift, you can drag your piece back where you want it to be, and it will slide only along a single plane. This means that you can drag it by increments of steps, and that you only have to worry about a single plane at a time.
Once it's in place, shift-arrow the selected piece in a direction perpendicular to your first step, and then shift-slide it back.
(The reason you shift-arrow away before you shift-slide is so that your piece doesn't try to glitch away along the perpendicular axis. If you try it, you'll see what I mean.)
eighteyed
praxicalidocious
eighteyed
There are several kinds of Glowy Things, and they are very easy to misuse/ overuse, be careful with them. In my opinion, they are best used in the background, to enhance other features. I first noticed the use of the glowy thing in the work of Topbear, but mine are different. I think she imported hers from another program. She also made hers from lines. At the time, I wasn't getting along with the line tool at all, so I used another Seamless Shape, the 4 pointed star. I liked it better, also, because it tapered to a point. First I distorted it until it was as tall and skinny as I could get, but still had some kind of usable width:
How I made mine:
That it has this funny fugly shape in the middle totally doesn't matter, because it's going to be round.
Then I duplicated the pointed shape, and free rotated it with the handle just a tiny bit.
I selected the two rays, duplicated and free-rotated them just a tiny bit more:
And again:
I made them as big as possible in the 200px square, to take maximum advantage of reducing the size when using them as a stored shape. Also, I'm not as precision oriented as Prax, I eyeball a lot of stuff rather than measuring exactly, that comes from having worked in ceramics for a long time prior.
You can see where I'm going with this:
Ta-daaa, the completed glowy thing. Select the whole thing and add it to your shapes library. You can see it doubled up a bit on a couple of rays because of imperfect placement, but I think it's more visually interesting in that way.
What to do with your completed Glowy thing. Well usually, I select them, use the drop down menu to change the color, close the group, then send it behind an object. It is sort of like a vector equivalent of an airbrush puff, and the point to me is to aid with not having a monotone background. And to add sparkle.
I have made several special effects glowy things.
Here are several of mine.
The crooked-on-purpose glowy thing. The stepped down spiky glowy thing. The regular groups of four glowy thing. A glowy thing that is actually made from the wave tool instead. And, I distorted and recolored one to show they don't have to be round, but can emphasize elipses, too.
Some templates which rely on the glowy thing:
This one has another kind of glowy thing overlaid on top, will talk about that later.
Anyway. Glowy Things are useful, but Too Much Bling is Real.
More fun with glowy things! ^_^
ArrayOfLilly
praxicalidocious wrote:
Shyster☆