Secret Message

13

Loves

4

Comments

106

Views

About This Pattern

106 COLOURlovers viewed this page and think PennWright is a legend.

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Description

Moonlight_Revelation

Colors

Secret Message

200508

Hex

32,5,8

RGB

1

Love

52

Views

0

Favorites

0

Comments

Anonymous Messenger

110A70

Hex

17,10,112

RGB

0

Loves

45

Views

0

Favorites

0

Comments

Invisible Ink

B7BF4E

Hex

183,191,78

RGB

0

Loves

34

Views

0

Favorites

0

Comments

Dusty Vault

7F4207

Hex

127,66,7

RGB

0

Loves

34

Views

0

Favorites

0

Comments

Moonlight Revelation

1F7CF5

Hex

31,124,245

RGB

0

Loves

37

Views

0

Favorites

0

Comments
4 Comments
Showing 1 - 4 of 4 Comments
needsomedaylight wrote:
needsomedaylight wrote:
Besides the beautiful glow and perfect contrasts, I like the thin tendrils in deep blue. Over the red background they appear to be of luminating purple if you don't focus.


Wow! You're right. Perhaps it's the placement of the deep blue - in the very back of the pattern, closest to the red background. Thank you again, Christian. :)

hehehe - that's what I was constantly talking about these last days. This are the colours "inbetween".
I use the above effect in most of my patterns. Combining highly saturated blues with red, to get purple or with purple to get deep violet.


That was definitely a new concept for me, and I can't thank you enough for pointing it out... and explaining it. There are times when I still need a black background to cut sharper images with certain patterns... particularly the really busy ones. But with the abstract patterns, especially, I never use straight black. And now that I understand this amazing new concept, I want to color all kinds of abstract templates and see what I can manage with those magical colors in between! :D
needsomedaylight wrote:
Besides the beautiful glow and perfect contrasts, I like the thin tendrils in deep blue. Over the red background they appear to be of luminating purple if you don't focus.


Wow! You're right. Perhaps it's the placement of the deep blue - in the very back of the pattern, closest to the red background. Thank you again, Christian. :)

hehehe - that's what I was constantly talking about these last days. This are the colours "inbetween".
I use the above effect in most of my patterns. Combining highly saturated blues with red, to get purple or with purple to get deep violet.
needsomedaylight wrote:
Probably my favorite of your series.
Besides the beautiful glow and perfect contrasts, I like the thin tendrils in deep blue. Over the red background they appear to be of luminating purple if you don't focus.


Wow! You're right. Perhaps it's the placement of the deep blue - in the very back of the pattern, closest to the red background. Thank you again, Christian. :)

Secret_Message
Probably my favorite of your series.
Besides the beautiful glow and perfect contrasts, I like the thin tendrils in deep blue. Over the red background they appear to be of luminating purple if you don't focus.

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  • Credit must be given to PennWright & Rips.
  • Commercial use is not allowed.
  • Derivative works are allowed, but must be shared with this license.
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