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Using patterns in print design can really punch up a project. It's nothing new, but I'd like to point out a few different variations you might see as key benefits.
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Simplify a project by using patterns. In this design, the abstract pattern with the perfect color palette, truly resembles a feel for the arts. It doesn't restrict the design to a certain type of art where the festival might cover anything from painting, sculpting, fiber arts and more. Using an artistically geared pattern keeps that visual open.
Using patterns in coordinating print projects can easily lend a hand in matching sets of items such as wedding invitations which usually contain a main element, the invitation - plus response cards, enclosure cards, save the date cards and thank you cards. Not to mention possibly following through with the design on wedding day programs, seat placement cards, etc.
When working with products you want buyers to customize, simple two-color patterns make it easy to do so. This makes it a snap for you to go in and adjust the pattern palette before shipping a digital file or physical product off to a client.
No matter what type of print project you have, these are a few benefits to using patterns to speed up your design or business process, not to mention a great way to add a ton of interest in your work.
Here at COLOURlovers you can download an .SVG file of your pattern designs as long as you were the original Pattern Template creator. Additionally, if you have Seamless Studio, you can export designs as: .SVG, .JPG or .PNG to be able to use in other graphics software for design.
This is a random giveaway picked from those who leave a comment. You have two choices:
Link to and place an image of a project you have designed with patterns. This can be from a yesterday or today, real or fake and must be a complete looking project. Does it fall under one of the three examples above?
Link to and place an image of a print piece or pieces (such as a wedding invitation set) you adore and think is a prime example of one of the above three examples.
In addition, I'd love to know why you like using patterns in your design or why you like seeing patterns in design.
Entries will be collected through Sunday, August 28th, 2011 (by midnight PST).
Next Day Flyers, the postcard printing specialists will be providing gift a credit of $75 to the randomly selected winner!
***THIS CONTEST IS OVER***
Introducing...PLYWERK, an eco-conscious photo mounting and art panel company based in Portland Oregon. They work with professional artists, photographers, interior designers, point and shoot photographers, parents, and everyone in between!
Plywerk Anatomy 101
Bamboo & Maple Plywerk Panels
COLOURlovers has recently become a Pro Partner of PLYWERK. Why is this super notable to mention? Because you're going to get the best, most amazing deals ever when you create an account (which is free). These deals are customized to COLOURlovers Members Only under the Prodeal membership (which is also free). Pretty sweet huh?
Welcome to The Design Minute, a new feature on the COLOURlovers blog where we take a quick look at an inspired design, whether it be on a canvas, a t-shirt, a billboard or a passing elephant, and have a quick chat with the artist behind it. Today's design is called Color Wheel, and it can currently be found at ultra-cool t-shirt design site Threadless. Creator Ross Zietz has a few other designs under his belt, but this one was perfect for our color-obsessed readers (and yes, I'm talking to you).
COLOURlovers: Give us three words that you feel best describe this design.
Ross: vivid, bicycle, kaleidoscope-ish.
COLOURlovers: Do you have a current favorite Threadless design? If so, what is it?
Ross: Dead Pirate by McBess. Nice and Simple. Sorry it's not too colorful but it's the one I wear the most.
COLOURlovers: You have to create a design in under five minutes, using only words to describe it. Go.
Ross: Ha... A wide open shark jaw, just the two jaw parts (top and bottom)... The teeth look like normal sharp shark teeth from afar but when you look closer at them, you realize that they are actually sails to a bunch of tiny sailboats. I think i'm actually going to design this tonight!
Everyone is raving about the quality of book #2 compared to book #1 (or published media in general). I don't blame them. I almost didn't mention it, because everyone else has, but that was ALSO my initial thought upon receiving my copy of the book. Straight from the box, I instinctively noticed these things in this order:
First, I noticed that I can plop it in my purse, no problem (and I don't carry an overly-large purse!). It's not too heavy or too many square/cubic inches. That's important, because I dread getting a great book, but eyeballing how thick it is sometimes hurts as I rarely have time for reading real books. My arms aren't going to fall off trying to hold it up while I'm laying in bed reading it.
Second, most definitely the quality. Smashing Magazine did not skimp on getting this little ditty published. Quality, stitch-bound, hard cover and hefty pages that produce sharp graphics. It's a nice tight number that you'll probably keep on your desk or prop on a shelf just because it's so pretty.
Third, artwork and graphics, amazing! They seriously couldn't go wrong with using Yiying Lu (yes, forever known as the creator of the famous Fail Whale from Twitter.com). But seriously, who can resist that kind of work, I know my three year old can't! What three year old do you know peruses a web and graphic design book with focus and interest? I will admit mine has a great attention span, but still... I'm caught flipping through the pages simply studying the chapter artwork. I have to laugh at myself.
Fourth and last, the cutest little ribbon bookmark comes attached. What a nice little touch! I bet this is the most talked about ribbon bookmark in the history of books. I suppose I will not be lazily dog-earing my new book.
So hands down on the book construction and makeup. Smashing you get a full applause in that area (I think everyone else would agree, no?)!
I realize that you can make something look pretty dang great, but fill it with garbage. Not in this case. I might be a bit bias because I am a HUGE fan of Smashing Magazine and the fantastic information they continue to provide to the design and web communities.... I will note, however, that the previous Smashing Book #1 seemed somewhat of a letdown to a "few" folks, which has become more prevailiant with Book #2 being such a positive hit and maybe with more of a comeback in the comparisons being made.
My primary area is Design. Both in print and web. And I will openly admit, I'm not ever going to be in the one of the top designers of the world because of this and that - so a book like this is absolutely PERFECT for me. I think anyone who wants a nice review, more insight
What I enjoyed in the first chapter was the correlation between the two, how different and yet similar they are.
"It stands to reason, then, that the process of design involves making deliberate and appropriate graphical choices in order to best communicate the intended message. This applies as much to designing for the Web as it does to designing for print." - excerpt, page 15
What I most enjoyed about this chapter was it's focus on using design effectively and timelessly. When I was reading through the pages of Timeless Thinking - which included talk about simplicity, adding too much gaudy junk (aka ornaments), minimalism, contrast, space and tension... it really brought me back to the basics in art school and working with drawing techniques. Sometimes I feel that I start a project over-designing and after I get that part about needing to impress the client out of my system and go minimal, it never fails to be the winning pick - this chapter was a kick in the pants refresher.
Then I read on to variations of Type and its effectiveness as well as the role it plays. Overall, a golden chapter to set your path a little straighter or teach you a few things.
"While a good graphic designer works to create an attractive design for the client, a great graphic designer pushes further, striving to understand the crux of the project's objective. The great designer builds on the various concepts ..." - excerpt, page 44
My other favorite, is chapter 7: Applying Game Design Principles to User Experience Design. What I most enjoyed was the play off of understanding the correlation between the two to make an easier way to think about UX Design. My favorite part starting with the section, The Name of the Game which goes through each of the five key attributes of the "game" of online interaction. It became a fun way to think about UX Design.
In conclusion, I like that the end of each chapter will sum up with a number of useful resources, about the author, some history from that section and even a nice extra Reading List for more in-depth study on a subject if interested - actually, I would have liked more reading resources at the ends of more chapters. I thought that was very helpful and resourceful to place in one area, instead of having to dig back through my dog-eared and highlighted pages and notes to locate a good resource I just know I marked.
I do find that this book is something I will be keeping on my desk for some time to reference and re-reference when my mind is fogged or fighting to go a direction my gut knows I shouldn't.
Contest Rules are simple. This will be a random drawing of three lucky commenters who provide the following information in their comment:
Please provide what your specialty is be it Design Warlord, Freelance Web Designer or Couch Potato... but seriously, I would like to know what you do for money or fun in the relationship to wanting the book in your grubby little paws.
The contest will run from March 10th, 2011 through March 18th, 2011 - Winners will be announced the following week, Tuesday, March 22nd, 2011. Winners will also be emailed via Love Notes on COLOURlovers.com so make sure you turn your notifications ON for both in-site and email so that I can collect your address and get your prize out ASAP. Contest is for COLOURlovers.com users only, so if you aren't a member, get signed up and get commenting!
update: Did I forget to mention you can of course buy the book here (at SmashingMagazine.com) as well as preview a sample from the book and get other details. Pop on over and check it out!
But wait there's MORE! Apparently there was just too much good stuff to go to print, so Smashing Magazine is GIVING you a FREE eBOOK called The Lost Files (free eBook).
Results will be posted Tuesday, March 22nd (unless they magically appear on Monday the 21st. ;) Have a great weekend everyone!
The details are out about the latest book from ALARM PRESS, and i'm thrilled to be sharing them with all you color lovers, but to insure this book makes it to print we need to show a little love before April 8th, 2011 and pre-order or select one of the other support options on the project's KICKSTARTER page.
At nearly 400 pages of full-color artwork and editorial, Chromatic: The Crossroads of Color and Music, is a dynamic print presentation of independent musicians and artists who are using or exploring color in unorthodox ways. Packed with vibrant images and colorful perspectives, the book includes content on: musical synesthesia, audible color: the proposed mathematical correlation between color and pitch, psychedelic color and music, timbre, blue notes, the chromatic scale, concept albums based on color, performers who use color to add to their stage presence, polychromatic cover art, bands photographed in their favorite colors, wild illustrations of musical notes translated into hues to create elaborate geometric works of art, and if that wasn't enough, there is a chapter with guest editors Seripop, the eccentric Montreal based printing and design duo. What filters through, with the help of the high aesthetic standards of ALARM PRESS, is the line where color, music, art and design meet, and ultimately how the experience of color and music is unique for each of us.
You know, the computer screen just doesn't do any of this work justice, but that's certainly not going to stop me from gushing. And this year there's a number of innovative twists on this old-timey medium which always makes for compelling work. So, here you are, best of the best (at least from my seat) printed pieces of 2010.
This poster is most memorable for it's darling childish hand and classic message. A father & son collaboration, by Studio on Fire and Koen (age 6), the doodles were assembled digitally and letterpressed 14x20" with yellow and gold ink. $30 for sale here.
White Fungus is an experimental arts magazine based in Taichung City, Taiwan. Featuring writing on art, music, history and politics, plus original artworks, poetry, fiction and comics, White Fungus is an ongoing experiment in community media art. As the spores have been released its creators look forward to seeing which way the wind blows. The only thing more uncertain than its future is its past.
白木耳雜誌 是一本發源於台中的當代前衛藝術雜誌， 內容詳細介紹了關於來自世界各地的前衛音樂 、歷史、 政治、 原創作品、 詩、 短篇小說 與漫畫。白木耳雜誌本身既是一個社群媒體藝術的實驗過程。當這些實驗性的孢子逐漸成熟而散落，雜誌創刊者十分期待風會將這些孢子傳遞至何方，但關於未來，一切則充滿了新的生機與各種可能性。
For Matthew Hoffman it's all about identity. On the casual outward glance he's a 9-5er, a career oriented young chap, probably unknown to some as...shhhh....an artist. But over wayside he runs Multi-Polar Projects, a rep house for artists Sighn, H. Mathis, Ervin Orion and Mateo. An art collective of four dudes pursing their own separate works. Which is bad-ass alone, yet is ostensibly all very straight-forward, until you learn the entire Multi-Polar Projects crew is just a single person. Hoffman. Which then begs the question, where is the artist and where is the person? And also how? And...When does the sleeping happen?
It's not really a question that needs answering, it's a delightful enough proposition on its own. It's seems to be merely the only way Hoffman knows how to be an artist. It's ingrained in his process and can't be teased out.
Better still? He's dropping a new project after a year-long art-making hiatus.
What ensued was an extensive back-and-forth between myself, Sighn, H. Mathis, and Multi-Polar Projects. Hilarious because Hoffman's playing all the parts from separate addresses.
Sighn's the moniker responsible, working in his typical text-only emotive style. ITSOKCOLORWAY is the rainbow-hued edition of his ongoing ITSOKAY Project. As the Tweeps and Facespaces erupt with millions of electronic blurbs per day and viral campaign after campaign goes zipping into internet obscurity, he's busy carving pithy witticisms out of wood with a life-long goal of 1 million wooden ITSOKs. It's a permanent snap-shot of communication, forged from materials that once grew in the earth. Part sculpture, part talisman, all parts delicious typography and wordplay, you'd have to be a cyborg not to have feeeeeeelings when taking in the work.
I shot Sighn a request to answer some light-hearted interview questions, and what ensued was an extensive back-and-forth between myself, Sighn, H. Mathis, and Multi-Polar Projects. Hilarious because Hoffman's playing all the parts from separate addresses, poking fun at himself the entire time. In the end it ended up as a snarky not-so-subtle, and entirely unintentional, jab at long annoying email chains. Oh my stars and garters kids, this email at its most artistic (and meta) indeed... For this designer, blogger and typography geek, that's the black hole of perfect.
So here you go: H. Mathis' illustrated responses to Sighn's interview questions. By Matthew Hoffman. I think.
I guess this is what I call reinventing being an artist. Old schooling the new school. And there's no tells just how far this kid can go. It's mayhem! Mania! It's going to rule, bro. Someone please save me from myself, before there's ecstatic-induced vomiting like that kid in Adam Sandler's Big Daddy.
Learn more and order your own piece here. ITSOKs come in 10 colors, plus natural unfinished bamboo or basswood. $20 each.
If you're looking for a gift to give a color lover this holiday season consider one of these classic color books. This is not an exhaustive list (if you have some favorite titles share them in the comments), but we think these are some great suggestions, each packed with valuable information and inspiration.
By Josef Albers
Josef Albers’s Interaction of Color is a masterwork in twentieth-century art education. Conceived as a handbook and teaching aid for artists, instructors, and students, this timeless book presents Albers’s unique ideas of color experimentation in a way that is valuable to specialists as well as to a larger audience.
The latest edition presents a significantly expanded selection of more than thirty color studies alongside Albers’s original unabridged text, demonstrating such principles as color relativity, intensity, and temperature; vibrating and vanishing boundaries; and the illusions of transparency and reversed grounds. Now available in a larger format and with enhanced production values, this expanded edition celebrates the unique authority of Albers’s contribution to color theory and brings the artist’s iconic study to an eager new generation of readers.
We have a lot of love for Threadless, the inspiring community based, crowd-sourced t-shirt company that has been printing the designs of their users, and building a forerunning company, for ten years now. In honor of their ten year anniversary they've published a book filled with some of their best designs, interviews with Threadless members and the history of the company written by founder Jake Nickell. The Threadless book takes us through the colorful creations of an entire generation of design and t-shirt lovers, the most colorful of them all being the company itself.
By Julia Rothman, Jenny Volvovski and Matt Lamothe
The Exquisite Book is a project based on the Surrealist game called the Exquisite Corpse. The book is a modified version of the game, played by one hundred contributing contemporary fine artists, illustrators, designers and comic artists.
This miniature book contains a complete overview of Irma Boom’s oeuvre, with commentary and more than 450 full colour illustrations in 704 pages with printed edges. Boom is one of the most widely renowned book designers in the world today. The book was designed by Irma Boom for her retrospective exhibition at the The Special Collections of the University of Amsterdam Library.
Boom is known for making tiny models of all her books, which proved inspiration for this tiny book. With text by Mathieu Lommen and notes by Irma Boom.
Legendary designer and artist Vera Neumann (1907–1993) believed in art’s ability to inspire and enrich lives. An innovator and one of the most successful female entrepreneurs of her time, Vera built her company on a radical philosophy: fine art should be accessible to everyone, not just a select few. Known for her iconic images of cheerful flowers, trendy geometrics, and vibrant ladybugs, she believed people should surround themselves with beauty.
For the first time, Vera: The Art and Life of an Icon, tells her inspiring story through the art and designs she created. In this volume, richly illustrated with Vera’s original sketches, paintings, and photographs of her worldwide travels, readers are introduced to the amazing woman behind the dynamic designs that continue to inspire and influence art, design, and fashion.
Images from Print & Pattern