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The details are out about the latest book from ALARM PRESS, and i'm thrilled to be sharing them with all you color lovers, but to insure this book makes it to print we need to show a little love before April 8th, 2011 and pre-order or select one of the other support options on the project's KICKSTARTER page.
At nearly 400 pages of full-color artwork and editorial, Chromatic: The Crossroads of Color and Music, is a dynamic print presentation of independent musicians and artists who are using or exploring color in unorthodox ways. Packed with vibrant images and colorful perspectives, the book includes content on: musical synesthesia, audible color: the proposed mathematical correlation between color and pitch, psychedelic color and music, timbre, blue notes, the chromatic scale, concept albums based on color, performers who use color to add to their stage presence, polychromatic cover art, bands photographed in their favorite colors, wild illustrations of musical notes translated into hues to create elaborate geometric works of art, and if that wasn't enough, there is a chapter with guest editors Seripop, the eccentric Montreal based printing and design duo. What filters through, with the help of the high aesthetic standards of ALARM PRESS, is the line where color, music, art and design meet, and ultimately how the experience of color and music is unique for each of us.
You know, the computer screen just doesn't do any of this work justice, but that's certainly not going to stop me from gushing. And this year there's a number of innovative twists on this old-timey medium which always makes for compelling work. So, here you are, best of the best (at least from my seat) printed pieces of 2010.
This poster is most memorable for it's darling childish hand and classic message. A father & son collaboration, by Studio on Fire and Koen (age 6), the doodles were assembled digitally and letterpressed 14x20" with yellow and gold ink. $30 for sale here.
White Fungus is an experimental arts magazine based in Taichung City, Taiwan. Featuring writing on art, music, history and politics, plus original artworks, poetry, fiction and comics, White Fungus is an ongoing experiment in community media art. As the spores have been released its creators look forward to seeing which way the wind blows. The only thing more uncertain than its future is its past.
白木耳雜誌 是一本發源於台中的當代前衛藝術雜誌， 內容詳細介紹了關於來自世界各地的前衛音樂 、歷史、 政治、 原創作品、 詩、 短篇小說 與漫畫。白木耳雜誌本身既是一個社群媒體藝術的實驗過程。當這些實驗性的孢子逐漸成熟而散落，雜誌創刊者十分期待風會將這些孢子傳遞至何方，但關於未來，一切則充滿了新的生機與各種可能性。
For Matthew Hoffman it's all about identity. On the casual outward glance he's a 9-5er, a career oriented young chap, probably unknown to some as...shhhh....an artist. But over wayside he runs Multi-Polar Projects, a rep house for artists Sighn, H. Mathis, Ervin Orion and Mateo. An art collective of four dudes pursing their own separate works. Which is bad-ass alone, yet is ostensibly all very straight-forward, until you learn the entire Multi-Polar Projects crew is just a single person. Hoffman. Which then begs the question, where is the artist and where is the person? And also how? And...When does the sleeping happen?
It's not really a question that needs answering, it's a delightful enough proposition on its own. It's seems to be merely the only way Hoffman knows how to be an artist. It's ingrained in his process and can't be teased out.
Better still? He's dropping a new project after a year-long art-making hiatus.
What ensued was an extensive back-and-forth between myself, Sighn, H. Mathis, and Multi-Polar Projects. Hilarious because Hoffman's playing all the parts from separate addresses.
Sighn's the moniker responsible, working in his typical text-only emotive style. ITSOKCOLORWAY is the rainbow-hued edition of his ongoing ITSOKAY Project. As the Tweeps and Facespaces erupt with millions of electronic blurbs per day and viral campaign after campaign goes zipping into internet obscurity, he's busy carving pithy witticisms out of wood with a life-long goal of 1 million wooden ITSOKs. It's a permanent snap-shot of communication, forged from materials that once grew in the earth. Part sculpture, part talisman, all parts delicious typography and wordplay, you'd have to be a cyborg not to have feeeeeeelings when taking in the work.
I shot Sighn a request to answer some light-hearted interview questions, and what ensued was an extensive back-and-forth between myself, Sighn, H. Mathis, and Multi-Polar Projects. Hilarious because Hoffman's playing all the parts from separate addresses, poking fun at himself the entire time. In the end it ended up as a snarky not-so-subtle, and entirely unintentional, jab at long annoying email chains. Oh my stars and garters kids, this email at its most artistic (and meta) indeed... For this designer, blogger and typography geek, that's the black hole of perfect.
So here you go: H. Mathis' illustrated responses to Sighn's interview questions. By Matthew Hoffman. I think.
I guess this is what I call reinventing being an artist. Old schooling the new school. And there's no tells just how far this kid can go. It's mayhem! Mania! It's going to rule, bro. Someone please save me from myself, before there's ecstatic-induced vomiting like that kid in Adam Sandler's Big Daddy.
Learn more and order your own piece here. ITSOKs come in 10 colors, plus natural unfinished bamboo or basswood. $20 each.
If you're looking for a gift to give a color lover this holiday season consider one of these classic color books. This is not an exhaustive list (if you have some favorite titles share them in the comments), but we think these are some great suggestions, each packed with valuable information and inspiration.
By Josef Albers
Josef Albers’s Interaction of Color is a masterwork in twentieth-century art education. Conceived as a handbook and teaching aid for artists, instructors, and students, this timeless book presents Albers’s unique ideas of color experimentation in a way that is valuable to specialists as well as to a larger audience.
The latest edition presents a significantly expanded selection of more than thirty color studies alongside Albers’s original unabridged text, demonstrating such principles as color relativity, intensity, and temperature; vibrating and vanishing boundaries; and the illusions of transparency and reversed grounds. Now available in a larger format and with enhanced production values, this expanded edition celebrates the unique authority of Albers’s contribution to color theory and brings the artist’s iconic study to an eager new generation of readers.
We have a lot of love for Threadless, the inspiring community based, crowd-sourced t-shirt company that has been printing the designs of their users, and building a forerunning company, for ten years now. In honor of their ten year anniversary they've published a book filled with some of their best designs, interviews with Threadless members and the history of the company written by founder Jake Nickell. The Threadless book takes us through the colorful creations of an entire generation of design and t-shirt lovers, the most colorful of them all being the company itself.
By Julia Rothman, Jenny Volvovski and Matt Lamothe
The Exquisite Book is a project based on the Surrealist game called the Exquisite Corpse. The book is a modified version of the game, played by one hundred contributing contemporary fine artists, illustrators, designers and comic artists.
This miniature book contains a complete overview of Irma Boom’s oeuvre, with commentary and more than 450 full colour illustrations in 704 pages with printed edges. Boom is one of the most widely renowned book designers in the world today. The book was designed by Irma Boom for her retrospective exhibition at the The Special Collections of the University of Amsterdam Library.
Boom is known for making tiny models of all her books, which proved inspiration for this tiny book. With text by Mathieu Lommen and notes by Irma Boom.
Legendary designer and artist Vera Neumann (1907–1993) believed in art’s ability to inspire and enrich lives. An innovator and one of the most successful female entrepreneurs of her time, Vera built her company on a radical philosophy: fine art should be accessible to everyone, not just a select few. Known for her iconic images of cheerful flowers, trendy geometrics, and vibrant ladybugs, she believed people should surround themselves with beauty.
For the first time, Vera: The Art and Life of an Icon, tells her inspiring story through the art and designs she created. In this volume, richly illustrated with Vera’s original sketches, paintings, and photographs of her worldwide travels, readers are introduced to the amazing woman behind the dynamic designs that continue to inspire and influence art, design, and fashion.
Images from Print & Pattern
Check out the Color Barcode Multiblend Generator (see examples here), which creates Davis-like veticle stripe multiblends from up to 99 different palettes from the COLOURlovers library. The generator was created by COLOURlover sero*.
Gene Davis was a member of the group of abstract painters in Washington DC during the 1960s known as the Washington Color School. The Washington group artist were among the most prominent of the mid-century color field painters.
Though he worked in a variety of media and styles, including ink, oil, acrylic, video, and collage, Davis is best known by far for his acrylic paintings (mostly on canvas) of colorful vertical stripes, which he began to paint in 1958. The paintings typically repeat particular colors to create a sense of rhythm and repetition with variations. One of the best-known of his paintings, "Black Grey Beat" (1964), owned by the Smithsonian American Art Museum reinforces these musical comparisons in its title. The pairs of alternating black and grey stripes are repeated across the canvas, and recognizable even as other colors are substituted for black and grey, and returned to even as the repetition of dark and light pairs is here and there broken by sharply contrasting colors.
"It was really an accident," Cecelia Webber admits in an interview with Modern Luxury, "I shot a nude figure against a black background and thought it looked so much like a petal I just went with it." And thus started her journey as a professional artist in hopes of dispelling much of the world's view of nudity as either "something erotic or disgusting," as she puts it.
Her work consists of only the naked human body, often her own, photographed in the most peculiar of positions then painstakingly overlaid using Photoshop to form the familiar shapes of petals, stamen and stem. So familiar the shapes are and so acutely formed that at first glance it is hard to tell that you're looking at naked people. Lastly, but always first in our book, she saturates the forms with stunning color. Her work pays great homage to nature: the beauty of the human figure and the shapes and colors that connect all living things.
Bet you cool cats haven't seen a recipe visualized in quite this way before, eh? It's new to me too and it's got my mouth a-watering. Ikea's actually behind this delectable book which is called Homemade is Best. It features desserts, all meticulously styled in a way that's completely new to food photography (hat tip to Carl Kleiner for that). Sure, I still want a fat slice of the cake, but now I have so much more appreciation for what goes into it. Makes it seems so much more simple to make, no?
Given some of my previous post subjects, it seems I'm definitely attracted to immensely colorful and heavily patterned artwork. Perhaps it's because it differs so much from my own comparatively minimal & restrained design work? Regardless, I think it's the irrepressible energy of this type of work that keeps me coming back for more. Young Brooklyn artist Morgan Blair is no different with patterns-a-plenty, rainbow colors, and style that easily traverses from illustration to painting to grafitti. She cites Legos, Maya Hayuk, nostalgia and forts (agreed, who doesn't love a good fort?!) as a few of her influences. If you're nerding out over this like I am, frankly, you should drop what you're doing read this interview with Morgan over at Doodler's Annonymous. She actually drew the answers to their interview questions. What a clever monkey.