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Today we're joining over 14,000 other blogs for Blog Action Day's conversation about the environment. Being conscious of the issues facing our planet and being proactive about lessening your impact doesn't have to be a plain or painful experience. FLOR is a company that is bringing lots of color and style to the home, and doing it with a planet friendly mission. Their customizable floor coverings make adding color to your personal space and helping the earth super easy.
FLOR makes a modular carpet tile in tons of styles, making it easy to create a custom rug of any site or run it wall to wall in any mix of colors or patterns. No Gluey-Goo, No Professional Carpet Layers... These are DIY and easy. (I look forward to making a palette of color on my office floor when the remodel is done.)
At FLOR, we're really proud of who we are. From our great designs, to the functionality and versatility of our product, we think FLOR is pretty cool. But more than that, we're proud of what we stand for: Mission Zero™. Our environmental position, launched 12 years ago by our parent company, Interface, Inc., seeks to eliminate any negative impact our family of companies has on the environment by 2020.
We believe it's not just about what a product is made of, it's about how it's made. In the last 12 years, we have reduced manufacturing waste sent to landfills by 63% and our absolute greenhouse gas emissions by 56% worldwide. FLOR products bring a piece of Mission Zero into your home.
FLOR has an R&R™ program (Return-Recycle) that allows customers to share the responsibility of living green with FLOR. If you're ready to get rid of existing FLOR to make room for new FLOR in your home, contact us. We'll arrange for your used carpet tiles to be picked up and shipped back to our mill, where the old tiles will be recycled into new product.
FLOR is eco-friendly »
FLOR modular tiles come in a variety of colors, patterns and styles. Included below are some examples of the color variety... you can Browse by Color to see all the options.
We're supporting our good friends over at BlogActionDay.org, an annual event where bloggers unite to bring some attention to a single important issue. This year the topic is the Environment and over 14,000 blogs will reach over 12 million readers.
Legendary and mythical creatures are best seen with the inner eye of imagination. When we bring color to mythological creatures, we invite others to behold the fantastical. We have the opportunity to conjure up an encounter as visceral as it is visible. Hence, we should strive to be inventive, inspirational, and provocative. A unicorn, for example, would not optimally be pure white. Pristine as the creature may be, pure white doesn't tell a story, and story is the driving force of myth. Even the subtlest of shades are required to establish poetic dimensionality. Peter Beagle, author of the The Last Unicorn (1968), took great care to distinguish between two shades of white on a unicorn's coat. He described a very old unicorn as being "no longer the careless color of sea foam but rather the color of snow falling on a moonlit night." The following two colours illustrate his description:
by Sebastiá Giralt.
The Royal Crest, seen on British passports, features a lion and a unicorn, two animals not exactly seen often in the United Kingdom. Why?
The lion on the royal crest symbolizes england, and the unicorn scotland.
The lion makes reference to the "three passant guardians", that are used in the English coat of arms since Richard the lionheart.
The unicorn is used in the Scottish coat of arms.
The lion is crowned, and the unicorn is chained (unicorns were originally considered to be dangerous beasts).
Header Image by Philocrites.
About the Guest Author, Craig Conley
Craig is an independent scholar and author of dozens of strange and unusual books, including a unicorn field guide and a dictionary of magic words. He also loves color: Prof. Oddfellow
The Himalayas are a mountain range in Asia, separating the Indian subcontinent from the Tibetan Plateau. The greater span of the range includes the Himalaya proper, the Karakoram, the Hindu Kush, and a host of minor ranges, which spells a transition from lush forests to ice and snow. The mountain range is home to the world's tallest peaks with over one-hundred exceeding 7,200 metres (including Mt. Everest).
Of colour, the rich browns of the mountains, their snow-capped tops that resemble white clouds, lush greens of the lowland forests, stretches of blue sky, and the teals found in the rushing, life-giving rivers are just waiting to be discovered. Although it's not the same as being there -- to see these wonderful earth tones -- let's take a journey through pictures to the largest mountain range on planet Earth.
The Himalayas stretch across the six nations of Bhutan, China, India, Nepal, Pakistan and Afghanistan. Their peaks and valleys hold the sources of three of major river systems in the world, being the Indus basin, the Ganga-Brahmaputra basin and the Yangtze basin. This teal-green supply of silt-rich water allows for so much to grow around it, as it passes its wealth down the spider-web rivers to even more fertile lands, allowing for the greens of plant-life to flourish.
October is National Breast Cancer Awareness Month and along with Pink for October we're encouraging creative people to turn their websites pink for the month. The aim is to raise awareness of breast cancer and support those organizations making a difference to find a cure and support those living with breast cancer.
Psychologically, pink has been judged the 'sweetest' color
- Vargas 1986:144
To celebrate this event I'm going to take a look at the colour pink and consider the cultural and psychological meaning associated with it. I will also be taking a look at some effective uses of pink for websites and a selection of pink based colour palettes to provide a bit of inspiration if you are turning your site pink for October.
Pink in many cultures has come to mean girl. It's been attached to the logic that says 'pink for a girl and blue for a boy'. The exact historical occurrence of this seems to point to after World War II. These 2 quotes shed some light on the history of the link between pink standing for a girl.
I've always been fascinated with the cover font color choices magazine editors make. We've begun to index those choices in our Magazine Color Trends section, but we thought we would look at some of the most iconic covers in history. In 2005, the 40 greatest magazine covers of the last 40 years were unveiled at the 2005 American Magazine Conference (AMC) in Puerto Rico, by the American Society of Magazine Editors (ASME) and AMC. Looking at the top 20 has shed some light on some of the most interesting color choices in the industry. Starting with number twenty, we'll take a trip back through the world of publication color.
#20 Blue (October 1997)
What happens when an eccentric architect has the soul of a painter? He drafts a technicolour blueprint and creates elaborate canvasses out of brick and mortar. Portmeirion, the celebrated Italianate village on the west coast of Wales, and famous location of the 60’s cult television series “The Prisoner,” was built by Sir Clough Williams-Ellis as a retirement project.
The fairy-tale hamlet he created (30 years before Disneyland) is like a three-dimensional picture postcard exhibiting an unparalleled array of colours. Portmeirion is often cited as an example of “picturesque architecture.” Picturesque simply means that something is proper to be pictured. In the picture that is Portmeirion, foreground and background are the real ground of a rainbow we can walk through.
Two years after the ruin of Hurricane Katrina, homes are coming back around. Even with reconstruction and lots of volunteer aid, something seemed missing among the new walls. The residents have seen nothing but the grey of collapsed homes and the brown of the flood waters and mud. For a city recognized for its abundance of life, the dreariness seemed unshakable.
That is -- until they brought in colour.
While some consider the 21st of September to be the first official day of fall, the 23rd is the day of the Autumnal Equinox, which either way means Autumn is upon us. Autumn is a time when the sun's angle changes, things become cooler, and all of those beautiful leaves earn a fiery glow before falling. The spectacle is so popular that people plan entire vacations around the possibility of seeing the fall foliage.
Where I live, the leaves are just beginning their change. Here, the most change comes in October, but we've had some early starters. Changing to red, orange, yellow, yellow-green, and even purple is all part of a process that allows the deciduous trees to survive even a harsh winter.
What makes leaves green is chlorophyll. During the growing season (chiefly summer), leaves are so dominated by the green of chlorophyll that all other pigments within the leaf are masked. When the cold sets in, and the sun withdraws, the trees begin a withdrawal process of their own. The sugars that are produced by chlorophyll are drawn back into the tree as this will be its sustenance, and the chlorophyll itself is reduced in number. A layer of cork forms between the branch and the leaf, which eventually will allow the leaf to fall. During the change from chlorophyll-abundance and chlorophyll-absence, colour change will occur.
Since colour came home in the 1950s with the vibrance developed during the industry boom and chemical advances following the second World War, kitchens and colour have seemingly been at war with each other. The psychedelic art of the 1960s met the mustard and moss colours of the 1970s, and they both hated each other. But now, in a time less frightened and simultaneously less eager, colour is safely being brought home, and to wherever possible.
Blown Glass artist Annie Michaud is bringing colour to the kitchen. With her latest collection of blown glass products, it appears that, finally, the kitchen can spring forth from being a strictly utilitarian place. From mortars to decantors and vases to paper weights, Michaud's bold colours make their way from the counter onto the tabletop.
Michaud's company, Gogo glass based in Montreal, Quebec, seems to be defined by dare, fun, and the joy of creation. Innovation and experience rule the creations of gogo glass. Michaud herself seems akin to the spontaneity and passion of the fire with which she works. The splash of colour she brings to the usually dull or plain mortal and pestle is a warm welcome in red, orange, green, and blue. Also amongst her creations are lemon squeezers, salt bowls, decantors, and more.
Judaism is the religion of the Jewish people, based on principles and ethics embodied in the Tanakh (The Torah, or Hebrew Bible) and the Talmud. According to Jewish tradition, the history of Judaism begins circa 2000 BCE with the Covenant between God and Abraham, the patriarch and progenitor of the Jewish people. Judaism is among the oldest religious traditions still in practice today. Jewish history and doctrines have influenced other religions such as Christianity, Islam, and Samaritanism. Throughout the Torah, there are many references made to colour, which is used to symbolize these important principles and ethics.
Because blue is the colour of sea and sky, it has come to represent the Divine, height and depth, and even equilibrium. But it is also revered as the colour of God's Glory. The Torah instructs Israelites to put fringes, or tzitzit, on the corners of their garments and weave within those fringes blue threads as another separation, the first notable separation being diet, from non-Jewish people, which discouraged conforming to the acts of heathens and sin. If tempted, they would see the fringe and be reminded of God. Because of this it is also used in Jewish Prayer Shawls. The Flag of Israel has two blue stripes and a blue Star of David against a white background. In modern Hebrew 'blue-white' is used a synonym for 'Israeli' as an adjective, especially for local produce opposed to imported goods.
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