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Paganism is an umbrella term for a group of religions that venerate the Earth and Nature, and the ancient Pagan deities. These religions include Wicca, Druidry, Heathenry, Religio Romana, Animism, Shamanism, Eclectic Pagans and various other traditions. All of these traditions share an urge to celebrate life and to honour our connection with all other beings on the planet. Pagans often emphasise the cyclical nature of reality, and so enjoy the cycle of the seasons and the dance of Sun and Moon.
Green is the colour everyone immediately associates with Paganism. It is the colour of nature, of trees, and all growing things. It is associated with the Green Man, a symbol of our connection to Nature, and a manifestation of the life-force. Many Pagans also like the colour purple for its spiritual connotations (it is associated with the crown chakra). Interestingly, purple and green were also the colours of the suffragette movement.
The metals are traditionally associated with the heavenly bodies: gold for the Sun, silver for the Moon and the stars, mercury for Mercury, copper for Venus, iron for Mars, tin for Jupiter and lead for Saturn.
The white, red and and black colours of the Triple Goddess owe a lot to Robert Graves' seminal work The White Goddess. He derived it from the tendency of the Irish myths to declare those "otherworldly" colours in combination, such as the red-eared white cow that was Brigid's only food as an infant, the red, white and black oystercatcher that is called "Brigid's bird" or the red-eared white dogs that occur in so many stories as Otherworld animals.
Thailand is a country rich in color, and its cuisine is no exception. With its exotic amalgam of flavors and styles, Thai food is popular in many Western countries. Though the cuisine actually consists of four distinct regional styles (Northern, Northeastern, Central, and Southern), Thai meals all share a a philosophy of balance among the five fundamental flavors – hot, sour, sweet, salty, and bitter. The result is a colorful dining experience.
Colors of Thai Dishes
Pad thai is perhaps one of the best-known Thai dishes. It is usually made with stir-fried rice noodles, eggs, fish sauce, sugar, and tamarind pulp combined with a variety of vegetables or meat. In Thailand, it is sold everywhere from the highest-end restaurants to the smallest street vendor.
Som tum is a crunchy, spicy salad made with grated green papaya, chopped tomatoes, whole beans, chilies, pounded garlic, fish sauce, sugar, peanuts, and lime juice. Variations can be found throughout the country made with salted black crab, dried shrimp, salted fish, or white eggplant.
For most people, color is basic element of our daily lives that we use for comfort, inspiration, practicality, etc. According to the National Institute of Mental Health, phobias and irrational fears affect approximately 10% of adults. Some of those phobias relate to colors being the most terrifying thing imaginable... for those poor people, this color loving website would probably be hell-incarnate. Here are several color phobias and some of color associations with common and strange phobias.
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Chromatophobia - The fear of colors.
Chromatophobia is an abnormal and persistent fear of colors. Like most fears and phobias, the fear of color is created by the subconscious mind as a protective reaction. It was likely an emotionally traumatic event in ones past that was linked to colors in general or a specific color. Because the association of colors to that traumatic event is so strong, when subjected to colors later in life the unconscious mind brings up terrible feelings. The phobia affects people in different ways, with some experiencing the suffering all the time and others just to direct stimuli.
Specific Color Phobias:
Fear of the Color Red
Fear of the Color Orange
Fear of the Color Yellow
Fear of the Color Green
Fear of the Color Blue
Fear of the Color Purple
Fear of the Color White
Fear of the Color Black
Common and Strange Phobia Color Association
Coulrophobia - The fear of clowns.
Ablutophobia - The fear of washing or bathing.
The horror classic Psycho probably helped create this phobia. The shower scene is commonly rated as one of the scariest moments in movie history.
The Micropolitan Museum exhibits an unworldly spectrum visible only through the lens of a microscope. Painter Wim van Egmond photographs spectacular microscopic masterpieces with ethereal color palettes. To capture these hidden treasures, he uses a Zeiss Standard light microscope and an old Zeiss Photo-microscope. Several methods of illumination are employed: bright-field, dark-field, phase contrast, differential interference contrast, and Rheinberg illumination.
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Van Egmond's Insectarium offers such specimens as the iridescent butterfly wing, whose tiny scales possess a microscopic texture that refracts light. Here we find lavender blue and green.
Warm, romantic, rich, enlivening, homey, flattering to the complexion, prayerful, even mysterious and mystical—there's nothing quite like the atmospheric glow of candlelight. Though typically classified as yellow or golden, a flickering candle flame actually exhibits all the colors of the rainbow. A touch of candlelight can offer emotional appeal, a festive air, or a seductive sparkle to virtually any color palette.
Mirrored flame (top) by Jonathan Assink. Leaning flame (above) by photo-artiste.
According to Celtic lore, candlelight is the only illumination hospitable to shadow. "The ideal light to befriend the darkness, it gently opens up caverns in the darkness and prompts the imagination into activity. The candle allows the darkness to keep its secrets. There is shadow and color within every candle flame" (Anam Cara, A Book of Celtic Wisdom, 1997).
Stray rays of sunlight bouncing inside the lens barrel of a camera leave ghostly trails of stars, glowing halos, subtle rainbows, and specular orbs. Photographers may abhor these secondary traces of light, but lens flares serve a purpose: they create a sense of depth, focus intensity, provide an accent, and lend a dreamy glow to the scenario. The colors of lens flares are typically bright, desaturated, somewhat foggy, and somehow ethereal. Their charm lies in their uncontrolled, unpremeditated, and exuberant nature. Lens flares represent light at play within the tools we use to capture it. They offer brilliant highlights beyond our normal reach.
A ghostly green spectral crescent and pink aura of the moon inspired this palette.
Jack-o-lanterns, haunted houses, vampires, witches, ghosts, candy and kids trick-or-treating... Halloween has grown into one of the biggest commercial holidays in the US since the first official citywide celebration in Anoka, Minn., in 1921. But, Halloween has been around for over 2,000 years and its customs and rituals have changed dramatically over time. Here we'll look at a bit of the history of this holiday and get some color inspiration from the day's iconic colors.
Halloween's origins date back to the ancient Celtic festival of Samhain (pronounced sow-in).
The Celts, who lived 2,000 years ago in the area that is now Ireland, the United Kingdom, and northern France, celebrated their new year on November 1. This day marked the end of summer and the harvest and the beginning of the dark, cold winter, a time of year that was often associated with human death. Celts believed that on the night before the new year, the boundary between the worlds of the living and the dead became blurred. On the night of October 31, they celebrated Samhain, when it was believed that the ghosts of the dead returned to earth. In addition to causing trouble and damaging crops, Celts thought that the presence of the otherworldly spirits made it easier for the Druids, or Celtic priests, to make predictions about the future. For a people entirely dependent on the volatile natural world, these prophecies were an important source of comfort and direction during the long, dark winter.
By the 800s, the influence of Christianity had spread into Celtic lands. In the seventh century, Pope Boniface IV designated November 1 All Saints' Day, a time to honor saints and martyrs. It is widely believed today that the pope was attempting to replace the Celtic festival of the dead with a related, but church-sanctioned holiday. The celebration was also called All-hallows or All-hallowmas (from Middle English Alholowmesse meaning All Saints' Day) and the night before it, the night of Samhain, began to be called All-hallows Eve and, eventually, Halloween. Even later, in A.D. 1000, the church would make November 2 All Souls' Day, a day to honor the dead. It was celebrated similarly to Samhain, with big bonfires, parades, and dressing up in costumes as saints, angels, and devils. Together, the three celebrations, the eve of All Saints', All Saints', and All Souls', were called Hallowmas.
Source - History Channel
Halloween Colors & Symbolism
Probably the most well known symbol of Halloween is the carved pumpkin, or jack-o-lantern. The tradition of carving a lantern comes from the Irish who used potatoes and turnips, but was modified to use the pumpkin in the US where it was available.
There are a few colors that are strongly associated with Halloween. Orange and black being the two main colors of the holiday. Although these colors have been mass-marketed in recent years, they are thought to go all the way back to the celtic celebrations and be reminders of the candles and fires that were lit to welcome the cold black winter ahead.
Shrouded in mystery, ghostly apparitions materialize in many subtly haunting colors. Besides deathly white, the specrtral spectrum embraces ethereal violets, cadaverous yellows, twilit blues, midnight blacks, moonlit silvers, and near-transparent yet unmistakable hues spanning the entire night rainbow. The delicate, insubstantial hues of the ghostly realm can add an emotive dimension of wistfulness to any palette, Halloween-themed or otherwise.
Strange white lustres and shadowy blacks are integral to the philosophy of art teacher John Ruskin. He explains: "When white is well managed, it ought to be strangely delicious,—tender as well as bright,—like inlaid mother of pearl, or white roses washed in milk. The eye ought to seek it for rest, brilliant though it may be; and to feel it as a space of strange, heavely paleness in the midst of the flushing of the colours. This effect you can only reach by general depth of middle tint, by absolutely refusing to allow any white to exist except where you need it, and by keeping the white itself subdued by grey, except at a few points of chief lustre.
What do you get when Dr. Woohoo mashes up Adobe Illustrator CS3, Flickr and In The Mod: Color Analytics? A free swf Panel that runs inside AI CS3 that allows you to search Flickr & In The Mod, view the colors from each image or painting you select and then save them directly to the Swatches Panel in AI.
Adobe Illustrator CS3 + Flickr + In The Mod mash-up from dr woohoo.
The inspiration for the Flickr integration comes from a variety of sources – watching what Mario and Marcos did with Kelvin’s Flashr; looking at the photographs of the Ronin, Annie Liebowitz and Rebekka Guðleifsdóttir; and of course the colors we see all around us – in the orchids and the sunsets – whose combinations are simply perfect.
Blend, Gradient, Steps... whatever you call them, they're fun to make and to look at. I tried to organize them as best possible, but it honestly is difficult to categorize these things. First we have blends where all the colors are in pretty much the same hue. Then blends to black or gray. Analogous blends are of colors that are near each other on the color wheel and I threw the rest in complementary blends as they, for the most part have colors across the color wheel from each other.
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Posted in CHANNEL-DIGITAL-ARTCOLOURlovers Creative Guide: Advanced Palette Making & Color Theory