Daily Posts. Colorful Ideas & Inspirations.
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The power of color is best shown by an artist whose ideas and work can challenge others and create thoughts and environments that we, the observers, could not see on our own, changing not only the physical space in front of us but also our own created mindset.
Ruth Root’s large scale geometric panels draw from the lineage of non-objective painting. Evoking reference to Piet Mondrian, Ellsworth Kelly, and Olivier Mosset, Root’s playfully orchestrated compositions engage with the fundamental principles of formalism while simultaneously interacting with contemporary modes of interpretation.
Rendered on shaped, ultra-thin aluminium sheeting, Root’s paintings corrupt the idea of pre-fab form. Confined to the curvilinear borders of her canvas, Root’s componentized swatches of colour reveal an unorthodox organic quality transgressing the tradition of the grid as sigmoid fields, and allowing the seamless application of her paint to slightly bevel at the sharply cropped edges. Root’s paintings are often exhibited flush to the gallery walls, creating an allusion to decaled logotypes and an optical intervention with architectural space.
Though primarily concerned with the tautology of painting itself, Root is often inspired by the phenomenon of urban experience. Her bold industrial colours and aesthetically ordered geometries invoke cityscapes, product design, and 1960s technographics. The liminal quality of her paintings elicits dialogue with digitised media: the consummate flatness of her paintings condenses the illusions of solidity and space into virtual fields, compelling in their dynamic assertion and physically insubstantiality.
- Saatchi Gallery
What do adorable animals, whimsical art and colorful design have in common? Design studio Meomi can tell you -- If you love all of the aforementioned things, Meomi may be heaven for you when it comes to art and wallpapers.
Meomi is comprised of two artists, Vicki Wong and Michael Murphy. Together they have created art for an illustrious list of clientele, including Google, Electronic Arts and Nick Jr. Vicki and Michael also act as authors and artists behind the Octonauts series of children's books. Meomi's 2008 wallpaper story takes place in Kachi Kingdom, where you follow the adventures of Johnny Cloudseed, following in his grandfather's footsteps as a seeder and planting seeds that assist the Kachi spirits to grow their "Magical Moments" plants.
Meomi reveal more about Johnny's story month by month as new wallpapers come out (each month's has a calendar on it so you can track the days along with the story.) Their most recent print project is Color Cloud Seeding, in which Meomi explore the lost art of "cloud gardening" in drawings, sketches and photos, creating a crisp wonderland of hues.
About those wallpapers -- Meomi have a whole page of their website dedicated to them that date all the way back to 2002 (when the year ends, they provide the wallpapers with the calendars removed so you can enjoy the art on its own.) I've provided some of them here for you to see, but if you want the full sized versions check out the Meomi website to grab them and make your desktop worth smiling at when you come in on Monday morning.
Color is best shown by an artist whose ideas and work can challenge others, creating thoughts and environments that we, the observers, could not see on our own, changing not only the physical space in front of us but also our own created mindset.
Below you will see installations from a culmination of 15 years of work from artist Olafur Eliasson as part of 'Take Your Time' exhibition currently running at the Museum of Modern Art. Along with photographer Branislav Kropilak whose work includes stunning minimalist series of parking garages, trains, building lobbies, and airplane landings.
Take Your Time: Olafur Eliasson
A culmination of 15 years of work and the first major exhibition of his work in the united states, Danish-Icelandic artist Olafur Eliasson reaches out to us with questions about existence, morality and our constant search for understanding of ourselves and the world around us. He creates environments and situations that completely surround the observer, but without an observer do not stand on their own.
"We can take in our surroundings, but at the same time be critical about how we do it."
I only see things when they move
Bright light shines through color-filtered glass panels, creating shifting prismatic bands of colors on the surrounding walls
360 degree room for all colors
Since the 19th century, painted panoramas have given viewers a sense of what it feels like to stand in faraway landscapes or participate in historic events. Rather than illustrating a particular scene, Eliasson's installation immerses you in the color spectrum itself.
Color Spectrum kaleidoscope
A hexagonal kaleidoscope made of color-coated glass provides a multicolored, prismatic image of the world.
I'd love to share some of my work with you today. I'm about to debut my patterns at the New York Surtex (surface pattern/textile) show on May 18-20. It would be wonderful to see my patterns turn into practical applications. That's how I want to share my art. Perhaps they could be made into wallpaper, wall decals, bedding, you name it. It should be an interesting show (I'm a little nervous). If you're coming please stop by my booth to say hello (booth 1010). Before I show you some stunning ways to add color to your home without the arduous task of taping and painting your walls, here are some of my own patterns for you to see. For more of my work please visit my site.
Samantha Hahn Patterns
And now for some great companies that sell beautiful wallpaper, and decals ready for you to brighten your decor without paint!
Color in photography has come a long way since the first permanent color photo was taking in 1861. Now nearly 150 years later we thought we would take a look and see where and how color developed in photography. Starting with the black and white beginnings.
Monochrome photography implies the act of recording light in a single color or wavelength and includes such types of photographs as black and white, sepia, infrared photography, and X-ray photography.
Oldest surviving photo created in 1826 by inventor Nicéphore Niépce
Black and White
Black and white photography uses neutral tones of gray ranging from near white to near black, or using a grayscale.
Photo by whappen
Photography began with the discovery that silver is a light sensitive chemical. Silver halides, or silver salt compounds, break down when exposed to light and form black metallic silver2. The darker areas of a negative that received more light during exposure block the light that would reach photographic paper during printing, thus allowing the paper to remain whiter in relation to the local negative density. The lighter areas of the negative that received less light during exposure allow more light to pass during printing, darkening those areas of the print.
I thought it was about time we revisited Mojizu.com and shared some more of their wonderfully creative character designs. So to follow up from Color Inspiration: Monsters and Dubious Characters, here are 20 more characters and some examples of characters used in good graphic and web designs.
Creative Characters in Modern Web Designs
We've been seeing vector characters pop up as mascots for new web sites and they do a great job of adding a little extra personality to the sites. Smashing Magazine, showcases a dozen or so in their Isn’t it sweet? Mascots in Modern Web Design post. Here are just a few from that post:
20 Creative Characters from Mojizu
As the first in an new series, I'd like to introduce you to The Cinematic Palette, a look at the use of color in film and how it acts as a secondary means of communication for the director to tell stories in an organic way. Since I am passionate about beautiful films, I have quite a few in mind for the future, but I'd also love to hear your feedback in the comments about your favorite colorful films and how they affected you.
This week's film of choice is Paprika, an animated film by Satoshi Kon, who is known best for his propensity for stories which stir the emotions while they blur dreams and reality. The effect is mesmerizing and often unforgettable, and while many of his films leave you feeling as if you are awash in a sea of vivid color, Paprika ranks highest when it comes to its carnival of beautiful hues.
Paprika begins in the unspecified future, in which an invention called the DC Mini has revolutionized the psychotherapy industry by allowing the user to view people's dreams. The head of the team, Doctor Atsuko Chiba, is using the device illegally to help patients outside the facility she works in, appearing in their dreams as "Paprika", a young female who embodies her dream alter-ego. At the start of the film, we are shown a reoccuring dream which belongs to Detective Konakawa Toshimi, who figures prominently into the story as the film goes on. One immediately considers the ramifications of such a device when the three prototypes of the DC Mini are stolen, leaving its tremendous power open to manipulation from less than reliable sources.
Most observations of sky color tend to focus on sunsets and sunrises when the most dynamic and vibrant colors can be seen, but what about the soft transitions and subtle changes of color from day to day? Michael Surtees's observational photo series “ New York City Color Study” focuses on just that, and in the process enlightens us to the dramatic in the mundane.
On January 16, 2008 Micheal started capturing pictures of the New York City sky though the window of his Manhattan apartment. What has come from this seemingly mundane observation is an amazing set of inspiring images and a reminder that everyday is a new color.
The series is on-going and he isn't planning on stopping anytime soon. The latest photo was taken April 17, 2008.
About "New York City Color Study"
For thirty six days now I’ve been taking an image of the sky from my apartment in Manhattan. It wasn’t until I started noticing that most mornings have a really unique colour to the sky that I thought there might be something to comparing the colour day to day. There isn’t any specific time for me to point my camera in the same direction though for the most part I’ve been taking the photograph somewhere between 7 and 9 am. As the sun starts rising earlier my time will probably adjust accordingly.
It’s a fairly uncomplicated process with the photos. Whether it’s sunny or cloudy doesn’t really matter because each day is unique. I always make sure that the crop of the sky is in a 4:3 aspect ratio with my Leica D-Lux 3. One of the cool yet unexpected things that happens when I upload the photos to flickr and place them in their set is that they create a square which is what the image above is. I always mark the date and time on the photo as extra information that I might want to use at a latter date.
Light projection installations have been filling dark nights with radiant colors a lot in the past year. With the previously mentioned exhibit Evoke, by Usman Haque, who wrapped the facade of York Minister with projected colors that were sensitive to the sound waves created by people in the immediate area, to the recently ended Adelaide Festival exhibit, Northern Lights.
The Adelaide Festival of Arts is an innovative art festival that takes place every other year in South Australia and includes an array of events, performances, exhibits, and theater, including the incredible projection installation created by The Electric Canvas, a Sydney production team.
Photo by SpacePotato
During the Festival which ran from February 29th through March 16th, an estimated 15,000 people made their way each night to see the multi-building installation light up with 70 different projections that changed every five minutes. The turnout must have been a little unexpected because the installation was extended two weeks beyond the original ending date to March 30th. Even though the installation was such a success the festival honored Earth Hour on March 29th by turning off the lights for one hour.
The 2008 festival as a whole was also a huge success, with the announcement that box office projections were vastly exceeded.
The Electric Canvas
The Electric Canvas team, who provides design, production, technical and creative services for installation, used huge projectors that weighed in around 200k (440lbs) to project a selection of patterns and colors on the State Library of South Australia, the Institute Building, South Australian Museum, as well as the Art Gallery of South Australia, and three landmark university buildings including the Mitchell Building, Bonython Hall and Elder Hall.
Photo by SpacePotato
Established in 1932, the Pure Photography movement boasted a palette with a maximum of two colors. Pure photography was defined as being completely free of any other artistic movement. That meant it had to be free of qualities of technique, composition, and objective. Due to its strict requirements, the possible body of work was severely limited. That's why the visual poet Geof Huth calls Pure Photography "one of the shortest artistic movements of all time." As it is such a narrow school of art, Huth was able to complete all the possible works of the genre in a single day. He explains: "A black & white photograph might look like it is made out of grays, but it is made out of bits of black organized on the surface of a white sheet, so in its purest form it is either all black or all white."
Huth's technique was simple: "The black photograph must be exposed to uncontrolled light, so I turned on the lights in the darkroom, exposed the paper & then developed the photograph. The white photograph must never be exposed to light; it is fixed so that it never changes from its white beginnings. I framed one of these photographs in a bright metal frame, but I don't know where it is anymore."
Here are some colors and palettes from the COLOURlovers library reminiscent of the short-lived Pure Photography movement.
Cover by Breno Peck.
About the Guest Author, Craig Conley
Craig is an independent scholar and author of dozens of strange and unusual books, including a unicorn field guide and a dictionary of magic words. He also loves color: Prof. Oddfellow
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