Daily Posts. Colorful Ideas & Inspirations.
Our team of writers brings you daily trend coverage, new products, inspiration, information and fun ideas. With an archive of more than 1,772 articles, you're sure to find something you love. Or if you have a great idea, let us know!
Fashion is hard to imagine without black–after all, every season, there's a color that's taken it's place as the epitome of chic (unless, of course, black reclaims its crown). Black is rich and stark and hard and soft all at the same time, and those nuances are undoubtedly why it's fashion's favorite color.
It's also why black is the focus of a new exhibition at the MoMU Fashion Museum in Antwerp, Belgium. Open through Aug. 8, "BLACK. Masters of Black in Fashion in Costume" pairs contemporary and haute couture pieces from minimal designers with, among other things, historical portraits and runway videos.
Said T Magazine's Rad Hourani, "Black was once described as an extreme color, and this central idea runs through the 22 installations, which span not only the history of the color but also its rendering in treatments ranging from embroidery to 3-D. One learns from the exhibition that the perfect black actually has hues of blue, red or brown in it — thereby answering the age-old question of whether black is in fact a color."
A few current looks from designers included in the show:
This week, we're starting an occasional Fashion Channel series to spotlight the editors, stylists, photographers and makeup artists behind the glossy magazine spreads that are as much about the artistry of fashion as they are about the clothes themselves. These pages are often where style inspiration for the everyday closet starts when it comes to color, pattern, fabric and shape.
First up: Vogue Paris Fashion Director Emmanuelle Alt.
Much-loved in the fashion blogosphere for her own cool, laid-back, androgynous personal style, Alt has been styling shoots with chic sharpness for Vogue Paris since 2001.
Once a month, we'll be taking a look at fashion in film--characters, colors and costume design. Working together to create a believable persona, in the movies, the clothes often quite literally make the man--or, in the case of today's film, they make the boy (or girl) the man (or woman) used to be.
Director Wes Anderson's 2001 The Royal Tenenbaums centers on the dysfunctional Tenenbaum family (loosely based, Anderson has said, on the Glass family of most of J.D. Salinger's novels). Each of the once-great family members has, as the movie starts, fallen from great potential at an earlier point in life, and the film follows the family as it tries to rise--or at least reshape--again.
Part of the characters' intense internal struggles is externalized in Anderson's typically stylized world by the iconic looks put together by costume designer Karen Patch, who worked with Anderson on films prior to The Royal Tenenbaums: Bottle Rocket and Rushmore.
"In every film there’s a place to make a character stand out in an iconic way, but you have to find the right place," Patch said in a 2008 article in W magazine. "You have to be careful because a year after you design something, when the film comes out, a look could be over. So you want to do something quite classic."
For the Tenenbaum children, Patch selected looks both classic in terms of real time--1970's-inspired pieces still relevant for the 2000s--and classic in terms of the characters' pasts.
Margot (the adopted daughter), Chas and Richie--grown when the film starts--were, viewers find out, a group of talented kids. Margot wrote and staged plays, Chas was a financal genius, and Richie was a tennis prodigy. But as they grew, their early success stalled out, and, like their parents, they're each in a rut. Their situations are easily spotted with a quick glance at the adult wardrobes, which really aren't all that different from the childhood wardrobes.
The @ (a.k.a at-sign, at-symbol, commercial at, snail, arrobase, monkey tail, little mouse, asperand, alphastratocusa along with many other names) is very familiar to us in the digital age, but like so many other things that are perfectly adapted and @ home in the digital age its historical uses, and the development of the symbol itself, is often never known, taken for granted, and forgotten.
While There are many different theories of how @ developed, it is fairly obvious its first widely accepted use was for representing commercial pricing rates ("at the rate of" 12 @ $1 = $12). It wasn't until 1971 when Raymond Tomlinson, an American programmer, used it as the natural division within the first e-mail message ever sent, that @ took on its modern meaning, and subsequently, a symbol for "The Internet", computerization, or modernization as a whole. Now it has gone as far as being admitted into the Museum of Modern Art's Design & Architecture collection.
Scroll down to see what people think the color of @ is.
"No one knows for sure when it first appeared. One suggestion is that it dates to the sixth or seventh century when it was adopted as an abbreviation of “ad,” the Latin word for “at” or “toward.” (The scribes of the day are said to have saved time by merging two letters and curling the stroke of the “d” around the “a.”) Another theory is that it was introduced in 16th-century Venice as shorthand for the “amphora,” a measuring device used by local tradesmen." - Why @ Is Held in Such High Design Esteem
A hypothetical evolution of the at-sign
Medieval monks abbreviated the Latin word ad (at, toward, by, about) next to a numeral.
It was originally an abbreviation of the Greek preposition ανά (transliterated ana), meaning at the rate of or per.
In late 2008, stylist and designer Kelly Framel thought she had something to contribute to the growing personal-style blog community. And considering the response to TheGlamourai.com, which Framel started in September that year, it seems the style blog community agrees–Framel's carved out a reputation for herself, her style and the bold, statement jewelry she creates with new and vintage materials (she loves vintage herself, though we'll get to that in a minute).
"Because of my blog, I’ve made like-minded friends all over the world, worked with brands I never thought possible, launched my jewelry line, and redefined my career and role in the fashion world," Framel said. "It requires more time and hard work than I ever imagined, but at the same time it is so rewarding."
Framel's also gained a reputation in the blog community for innovative color and pattern-mixing, revealed in even the briefest of glances through the photos of Framel's everyday costumes, as she calls them. She's offered mini tutorials on the art–which can be one of dressing's trickiest–on her own blog, and she kindly stops by the Fashion Channel today to give us a few tips and tricks, as well as a heap of pretty photographic inspiration.
Lindsey Baker, a.k.a. heroinepretend (name is from a Belle & Sebastian song!), is the editor of COLOURlovers' Fashion Channel and a style columnist for Omaha, Nebraska's alternative newsweekly Shout!, among other writerly things. Visit her at COLOURlovers.
Colloquially, the word "green" is as complex as the color can be itself: it represents envy and the healthy-heart chakra alike, acidic and sweet by turns, inexperience and growth simultaneously. If it can be boiled down to any one thing, perhaps green would be, simply, life. And maybe that's why we yearn for it every spring, revel in it all summer, and bring it inside when the seasons change. A constant reminder of freshness and serenity, green offers us an instant connection to our natural environment — undoubtedly why it's the token color of the eco-friendly movement.
With three green-hued color palettes from COLOURlovers as inspiration, these Etsy picks reflect just a handful of the moods the colors evoke.
The proof is in the number of community groups that draw color inspiration from all things fashion–what members are wearing, what they see in magazines and on runways, what designers they love, and what muted, bright and brilliant palettes and patterns they dream up.
Today we're looking at just a handful of the style-minded groups here at COLOURlovers. Don't see yours? Tell us all about it. Starting one of your own? We'd love to know about it, too. In the meantime, here's what some of the fashion-inclined color lovers are up to.
Inspired by editorial shots in the Livejournal community of the same name, Foto Decadent turns the avant-garde into unexpected couture palettes and patterns. Lovers typically attach a photo of their inspiration, too; here's a brief sampling of what's in the group's repertoire right now.
The unofficial style diary of COLOURlovers, Colours I am wearing today offers its 141 current lovers a way to share their daily ensembles--at least from a color standpoint--with fellow lovers. Lovers are encouraged to detail which colors and patterns match which items of their wardrobes, but that isn't a requirement. Sometimes, an idea based on the color choices and titles alone can be inspiration enough.
The pale side of each spectrum is represented as well for those who prefer a subtler attitude:
Once a month, we'll taking a look at fashion in film--characters, colors and costume design. Working together to create a believable persona; in the movies, the clothes often quite literally make the man. And in some cases, they make the real life looks we love for years afterward, much like the iconic heroine of today's film in question, Breakfast at Tiffany's.
Based on Truman Capote's 1958 novella of the same name, Breakfast at Tiffany's was brought to the silver screen by director Blake Edwards in 1961. The story follows the perhaps unlikely romance between writer Paul Varjak, portrayed by George Peppard, and gold-digger/wannabe-socialite Holly Golightly, portrayed by Audrey Hepburn.
Holly boasts an extensive wardrobe, and the most famous piece in it appears in what's one of the most recognizable scenes in American film history: the opening shot, in which we see Holly eating a pastry out of a paper bag, ostensibly on her way home from an all-night party.
The black, floor-length dress Holly wears--paired with over-sized black sunglasses and a massive draped pearl necklace--are our introduction to the lineup of ensembles designed for Hepburn by Hubert de Givenchy. The Italian designer dressed Hepburn in nearly all of her films, and the idea of every outfit was the same: simple, functional pieces with an emphasis on line and shape.
In the past, we've brought you on a visit to Tokyo's famed Harajuku district, where Japan's youth show off their flair and individuality by dressing in brilliantly colorful costumes and strutting their stuff for an always willing cameraman or two, but haven't you wondered if perhaps there's more to Japanese style than just girls who look like living dolls?
Tokyo's cutting edge fashion sense certainly doesn't stop at the borders of Harajuku. Allow me to take you on a tour of the beautiful styles of the various districts!
Ginza's fashion is comparable to that of modern metropolitan cities such as New York. If you visit the main boulevard that runs through the district (called Chuo-Dori), you will see such fashion landmarks as the ten story Chanel flagship store which boasts a gigantic video screen for fashion shows, Louis Vuitton, Tiffany, Cartier and more. In other words, Ginza is about high-end indulgence, so bring your credit cards!
Shinjuku fashion is much more relaxed in comparison to Ginza's. Girls favor colored stockings, frilly tops and skirts, hats, boots and long, oversized pieces to complement. Layers are key, as with most experimental Japanese fashion. It's easy to see why these girls always look so ahead of the times. You'll also see the new "Forest Girl" trend in full effect there. Leave it to Japan to transcend all the usual trends and invent their own!