Daily Posts. Colorful Ideas & Inspirations.
Our team of writers brings you daily trend coverage, new products, inspiration, information and fun ideas. With an archive of more than 1,862 articles, you're sure to find something you love. Or if you have a great idea, let us know!
In the sports world, fashion has to serve practical purposes-- its fabric has to be comfortable and moisture-wicking, its shapes have to be well-fitting and easy to move in, it has to meet regulations and it all has to work around or over or under protective gear.
That's not to say, however, athletic uniforms are totally devoid of style. On the contrary, they often involve the history of a team's country or region--maybe even of the team itself--in emblems or designs, along with a usually bold color scheme. Take, for example, the jerseys on the field at this year's 2010 FIFA World Cup South Africa.
While the games are well underway, we're taking a look at six colorful home jerseys and their style stories.
South Africa, the home of the 2010 World Cup, is a country with an oft-turbulent history, and it's represented, in part, in the colors and symbols of the South African jersey. During apartheid, the springbok antelope was a national symbol of South Africa, as well as a mascot for many athletic teams. After apartheid ended, however, only the country's rugby team kept its springbok mascot (after intervention from then-president Nelson Mandela); now, teams are known as "Proteas," and that regional (and sometimes-controversial) flower is shown on this year's South African jersey.
Often times, when fashion is described as "architectural," the word captures a general sense--geometric shapes, stacked layers, hardness and roundness and softness. But in the case of United Nude's shoes, "architectural" is the first--and most apropos--word to use to describe the labors of love from Dutch designer (and architect) Rem D Koolhaas.
Koolhaas has said multiple times--most prominently on United Nude's Web site itself--the line began with "a broken heart." Wanting to boil architecture down to "the smallest and most vulnerable scale, that of a woman's foot," Koolhaas started United Nude with the Möbius, an openwork sandal formed from a single strip and inspired by Bauhaus architect Mies van der Rohe's famous Barcelona chair.
Koolhaas partnered with shoemaker Galahad Clark to bring the idea to life, and now the two have developed a full range of architecturally inspired, coolly colorful footwear. The Eamz is based on Ray and Charles Eames' famous office chair and footstool, the Stealth draws on the straight lines and style of a Stealth F117 fighter plane. Every shoe has a true architectural aspect--much like the artistic, just-opened New York flagship store.
For more, check out an interview with Koolhaas here, and below, take a look at a healthy handful of some of United Nude's offerings.
Once a month, we'll be taking a look at fashion in film--characters, colors and costume design. Working together to create a believable persona, in the movies--or in TV--the clothes often quite literally make the man. In the case of today's characters, they make the group of four women who've made a mark on the fashion world during the last decade.
Samantha Jones (Kim Cattral), Miranda Hobbes (Cynthia Nixon), Charlotte York (Kristin Davis) and Carrie Bradshaw (Sarah Jessica Parker) are the central characters in question--fans followed them through six seasons of TV, where from 1998 through 2004 they trawled New York in search of love, happiness and Manolos. The girls ventured onto the big screen in 2008 for the first Sex and the City film, and last week, they emerge again for that film's sequel, Sex and the City 2.
Along for the entire ride has been costume designer Patricia Field, largely responsible for SATC's fashion effect, though she's not always admitted to trying to start trends.
This spring, it's been hard to avoid the jaunty, nautical stripes permeating the season's sartorial offerings. But while the Breton stripe is classically Parisian, its current application is decidedly American.
Today, separates make up the bulk of ready-to-wear, and they're directly drawn from sportswear, a refined-yet-relaxed fashion breed born in the U.S. and fostered from the 1930s through the 1970s. Fronted mainly by women designers, sportswear removed the strictures of European fashion from clothing to produce practical, easy pieces that were elegant without being confining. Streamlined shapes with few embellishments--breezy pants, and knitwear, simple suits, wrap dresses--reflected the kind of freedom and autonomy women of the day were claiming for themselves.
Now, sportswear is being celebrated in that most traditional sense, with an emphasis on the kind of cool, summery 1970s silhouettes designers such as Diane von Furstenberg and Halston made classic. What's more, today's sportswear trend makes use of a color palette inspired by its birthplace. Red, white and blue, whether used all together or a couple at a time, make for perfectly pretty warm-weather days.
In fashion, there are certain staples that never go out of style--a pair of straight-leg jeans, a navy blazer, black heels, a little black dress.
And, of course, there's the plain white T-shirt.
It's clean and classic and something a lot of us live in, whether we wear it alone or as a layer or on a Saturday or to sleep in. In everyday style, it's a blank canvas on which we can base an ensemble. Chances are, you've transformed one to fit your personal style.
The artists behind the Project White T-shirt have transformed 31 white T-shirts into pieces of art, together making a statement about how we can both be individuals and a connected society with the clothing we wear.
Curated by Triple-Major, Project White T-shirt is a traveling art exhibition featuring deconstructed, repurposed and reimagined white T-shirts from 31 international designers. Each of the pieces in the show are being auctioned at the project's Web site; all of the auction proceeds will go to Designers Against AIDS, a nonprofit group dedicated to raising AIDS awareness in international media and toward the general public via elements from pop culture.
It's also, according to project coordinators, "an evolution": "For decades, a T-shirt has been a functional article that covers the torso. But how will it evolve? What will the process of evolution create? Project White T-Shirt challenges dominant notions of fashion and draws the connection between different forms of art. Its goal is to expand possibilities and creativity through the most basic article of clothing: the white T-shirt."
Considering many places have just emerged from the last of winter's snow, it's tough thinking about fall already--unless, of course, you're talking fashion. Autumn/Winter 2010 ready-to-wear collections debuted last month. And right at the top of the four major fashion weeks, the color experts at Pantone Color Institute released the Pantone Fashion Color Report Fall 2010, an interactive online report combining Pantone's top 10 colors for the season with illustrative designer sketches.
The good news for the stylishly minded is the 10 colors for the coming season are a close offshoot of those presented in Pantone's Spring 2010 report.
"Mindful of consumers' need for practicality, plus their desire for newness, designers offer many options for women to extend and embellish their wardrobes this fall," said Leatrice Eiseman, Pantone executive director. "Building on the color palette from spring, this season's offerings include innovative takes on fundamental basics, as well as transporting, lively colors that conjure images of travel and adventure, whether real or aspirational."
Pantone's report presents three designer sketches for each of the 10 colors; today, we're taking a look at one of each, along with the inspirational takes on each of the colors members right here at COLOURlovers have conjured.
If you have any eye for the radically strange side of fashion, you've surely already heard of the brightly colored trends from Tokyo's Harajuku district (not to mention, we've posted about them in the past!). Of course, it was inevitable that someone would document such a memorable phenomenon, and while several books have come out on the topic, one in particular is a true standout.
Called Fruits, this series of books by Shoichi Aoki has captured the look of the kids that frequent Harajuku, but it's also gone a step further to find out a bit more about them in the form of easily readable stats on the bottom of each page. For this reader, it's even more interesting to find out tidbits of information about the kids that spend three hours dying their hair turquoise and making their own costumes than it is to see what they're wearing. What kind of music do they listen to? Who are their fashion idols?
The key to Fruits-inspired fashion is color, and a lot of it. The young men and women who embody the true spirit of the fashion movement purposely mismatch prints and colors and wear many layers of clothing. The inspiration of the look gave musicia Gwen Stefani the idea to create her own fashion line, Harajuku Lovers, which promotes a more wearable version of the look with thin tees, oversized tops and bright knits.
Check out a few more of the vivid styles of Harajuku's proud residents below. You can also buy the books here.
Last month, we took a closer look at some of the style-minded groups here at COLOURlovers (see part one here). Those initial five were just a small sample of the number of groups in the community piecing together colors, palettes and patterns to create (or re-create) their favorite articles of clothing, fashion trends, designer creations and editorial inspiration.
Today, we're spotlighting five more groups. Don't see yours? Tell us all about it. Starting one of your own? We'd love to know about it, too. In the meantime, here's what these fashion-inclined color lovers are up to.
Headed up by lover wearpalettes--who we've featured for his blog, wear palettes, where he matches up color palettes with inspirational street-style photos from Close Up and Private and Lookbook.nu (and formerly The Sartorialist)--clothing palettes is a place for group members to record their own sartorial efforts. wear palettes recommends members include their inspiration colors, clothing or Web sites along with palettes and patterns; with 1,194 palettes, there's plenty of inspiration to be had within the group, too.
[looks] is for those wanting to document daily ensembles in color form--palettes and patterns modeled after what group members are wearing. Seasonal color trends are also in the mix.
On March 9, Alexander McQueen's Fall 2010 ready-to-wear collection debuted in Paris. Each medieval-inspired dress had something distinctly McQueen: There were billowing skirts, there was crisp tailoring, there were exaggerated silhouettes, there were fierce shoes.
There were 16 looks, each of them nearly finished at the time of McQueen's death on Feb. 11, 2010. The designer was 40.
In the 20 years he spent working in the fashion industry, McQueen changed the industry with his vision and innovation. He was unafraid to take risks, to do what no one else was doing--he was a rebel, "l'enfant terrible," and he was greatly loved.
Lee Alexander McQueen was born in London in 1969. He started making dresses for his sisters in his youth; in his teens, he took an apprenticeship in London's Savile Row, a shopping street known for men's bespoke tailoring. What he learned there translated to his future designs, both under his own name and at Givenchy, where he served as head designer from 1996 to 2001.
Fashion is hard to imagine without black–after all, every season, there's a color that's taken it's place as the epitome of chic (unless, of course, black reclaims its crown). Black is rich and stark and hard and soft all at the same time, and those nuances are undoubtedly why it's fashion's favorite color.
It's also why black is the focus of a new exhibition at the MoMU Fashion Museum in Antwerp, Belgium. Open through Aug. 8, "BLACK. Masters of Black in Fashion in Costume" pairs contemporary and haute couture pieces from minimal designers with, among other things, historical portraits and runway videos.
Said T Magazine's Rad Hourani, "Black was once described as an extreme color, and this central idea runs through the 22 installations, which span not only the history of the color but also its rendering in treatments ranging from embroidery to 3-D. One learns from the exhibition that the perfect black actually has hues of blue, red or brown in it — thereby answering the age-old question of whether black is in fact a color."
A few current looks from designers included in the show: