Understanding color can be a daunting task with many dead ends. Have you ever taken a color theory class only to be left feeling like it didn’t teach you anything to do with applying color in the real world?
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Maybe you have an awesome natural instinct for putting together cohesive palettes or colorizing fabulous patterns perfectly, but why are you so good at it? Validating the why, where and when of color will change your entire outlook on color and what it can do to your personal or professional life.
Color opportunities exist in many industries. Companies need color design expertise to guide them through the many choices they have to make as a successful business. Choices they must make involving color range from advertising, product design, branding and many more. You need credible, verifiable information to back up your decisions as a consultant or designer and you need more than a simple love for color to get you there.
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Aaron & Darius (aka Bubs) | "Creative Differences"
As the event organizer, Print had the tough job of narrowing down what topics would be covered to rein in color at its finest. Topics ranged from color trending to a variety of looks at color in product design to how color affects our lives on personal levels, business and even non-profit. Between some great speakers, fun activities and CMYK Cocktails, I'd say we all had a wonderful time discovering color in ways we hadn't thought of before. It was truly intriguing to meet and talk to so many people interested in color and who work with it in a variety of fields. From those who deal with it broadly between science and art, every attendee brought a unique addition to the conference.
If you'd like a full rundown on the happenings, see blogpost, Viva Color at Print's First Color Conference - great images of the CMYK Cocktails, the speakers panel and many fun candid shots.
OMG RGB/CMYK NYC! We're very excited to be partnering with Print, Pantone & the Art Directors Club on the brand new Color Conference, Oct. 4-6 in NYC. Yours truly will be co-emceeing the conference with Jude Stewart.
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The rules for color aren't black and white. We each experience the world uniquely and that creates an awesome opportunity for each of us to share our own perspective with others. We're really excited about being together with so many creative folks to share the color love. This event isn't just hearing about the color work of top industry professionals... but also interacting with color, networking with other colorful folks and sharing your ideas about color in workshops and panels.
NEW YORK – August 22, 2011 – Print Magazine today announced the first-ever Print Color Conference, taking place October 4-6, in New York City. Presented in partnership with Pantone and COLOURlovers, and hosted by The Art Directors Club, the event is an exploration of color by leaders in the graphic design, art, fashion, lighting, and interior design industries. The focus of Print’s Color Conference is to illuminate and elevate the discussion of color; its usefulness and impact on society, its importance as a communication tool; and its impact on the worlds of art, design, politics, branding, and everyday lives. Full program details – including speakers, interactive demos, and networking opportunities – and conference registration is available now at printcolorconference.com.
Peppered throughout the event will be interactive demonstrations in which attendees have the opportunity to experiment with color, thanks to our sponsor, 3rd Ward. Recognized as an incubator for innovation and possibility, 3rd Ward members enjoy a supportive community and top-of-the-line creative resources, including photo studios, media lab, jewelry studio, wood & metal shops, and a huge education program.
Use the COLOURlovers Promo Code "LOVE" for $75 OFF
Leatrice Eiseman, Executive Director of the Pantone Color Institute.
Gael Towey, Chief Creative and Editorial Director at Martha Stewart.
Darius Monsef, Founder & CEO of COLOURlovers (That's me! :) )
Jude Stewart, Print Contributing Editor
...And More! full speaker list here.
The whole COLOURlovers team will be in the house mingling with fellow lovers of color and running a "Making Color Palettes in Real Life" interactive project where you'll be able to make and share physical big palettes. (We've done this before at our previous launch events... and in NYC we'll have even more colors to choose from!)
I'll be helping to moderate some panels with the world's most talented color professionals... What do you think should be part of our colorful conversation? What questions do you think I should ask them? What's the most exciting, frustrating thing about color for you? ...? I'll give you a shout-out when I ask any questions you suggest.
We look forward to coloring with you in NYC! And don't forget to use the COLOURlovers Promo Code "LOVE" for $75 OFF!
March is Women's History Month, and to show our appreciation to all the women who color in our world, we're sharing amazing work and colors from women all month. Today for your color inspiration is the cut acrylic work of Sandra Fettingis, whose recent exhibition filled with neon colors, 'this time things will be different', at Plastic Chapel in Denver, closes March 5th, 2011.
My work draws from influences as far ranging as photographic portraiture, art deco design, modern and contemporary architecture and colorist ideas.
The details are out about the latest book from ALARM PRESS, and i'm thrilled to be sharing them with all you color lovers, but to insure this book makes it to print we need to show a little love before April 8th, 2011 and pre-order or select one of the other support options on the project's KICKSTARTER page.
At nearly 400 pages of full-color artwork and editorial, Chromatic: The Crossroads of Color and Music, is a dynamic print presentation of independent musicians and artists who are using or exploring color in unorthodox ways. Packed with vibrant images and colorful perspectives, the book includes content on: musical synesthesia, audible color: the proposed mathematical correlation between color and pitch, psychedelic color and music, timbre, blue notes, the chromatic scale, concept albums based on color, performers who use color to add to their stage presence, polychromatic cover art, bands photographed in their favorite colors, wild illustrations of musical notes translated into hues to create elaborate geometric works of art, and if that wasn't enough, there is a chapter with guest editors Seripop, the eccentric Montreal based printing and design duo. What filters through, with the help of the high aesthetic standards of ALARM PRESS, is the line where color, music, art and design meet, and ultimately how the experience of color and music is unique for each of us.
"Jennifer Bartlett: Recitative” is on view through Feb. 26 at The Pace Gallery, New York City
A single painting that stretches more than 158 feet along three walls of the gallery. "Recitative" (2009–10) is Bartlett’s third large-scale painting and her largest to date in running feet. Comprised of 372 steel plates, the work is an epic exploration of color, painted in a style that reflects the reductive language of Minimalism and the rule-based systems of Conceptualism.
...it ranges across three walls of the gallery’s garagelike space, cycling through several styles of abstraction in a syncopated rhythm you can almost rap to. Essentially, it is a dialogue with art itself, where color is the central subject and intuition plays against mathematics. - nytimes.com
Leo Fitzmaurice's work challenges our perceptions of the ordinary using drastic changes in scale. His latest installation, Transformations 3 at The Lowry in Salford Quays, is inspired by film packaging from two of the largest photo companies, Jessop & Kodak. The exhibition runs until September 5th, 2010.
"Fitzmaurice’s bold approach to design and scale completely re-imagines the space, creating an extraordinary installation that turns the gallery walls into oversized packaging boxes. Inspired by colours and patterns found on old-style 35mm film boxes, he turns the commonplace into the thrilling." – Lowry Exhibition page
In the sports world, fashion has to serve practical purposes-- its fabric has to be comfortable and moisture-wicking, its shapes have to be well-fitting and easy to move in, it has to meet regulations and it all has to work around or over or under protective gear.
That's not to say, however, athletic uniforms are totally devoid of style. On the contrary, they often involve the history of a team's country or region--maybe even of the team itself--in emblems or designs, along with a usually bold color scheme. Take, for example, the jerseys on the field at this year's 2010 FIFA World Cup South Africa.
While the games are well underway, we're taking a look at six colorful home jerseys and their style stories.
South Africa, the home of the 2010 World Cup, is a country with an oft-turbulent history, and it's represented, in part, in the colors and symbols of the South African jersey. During apartheid, the springbok antelope was a national symbol of South Africa, as well as a mascot for many athletic teams. After apartheid ended, however, only the country's rugby team kept its springbok mascot (after intervention from then-president Nelson Mandela); now, teams are known as "Proteas," and that regional (and sometimes-controversial) flower is shown on this year's South African jersey.
Pom-Pom's are a terrific way to add fun colour to your reception. If you're crafty (or not) and are willing to get your hands dirty, this one's for you. This is something you don't want to be doing the week of though.
As I have mentioned before, I am coordinating and helping with the design for my little brothers wedding coming up here in just 2 short weeks.
A few Weekends ago, my Mom, and partner in crime for the wedding decor, spent some time putting mock tables and accessory layouts together. As we were coming in from a walk after all our projects were done for the day, my mom says,"I have decided not to add another project to our already big list of things to do." Of course, not two hours later did we come across these wonderful pom-pom's (pictured right)! So what do two crazy girls do with an idea? The very next day we gathered supplies and started dying 1,400 mini coffee filters a variety of lavender hues. We started at 3pm and she left after midnight. So much for not adding another project! I'd like to add that my mom has dyed over 3,000 more coffee filters on top of the original 1,400. When we get a bug in our bonnets we're all about business.
On to the actual project and our experience. The original idea came from a small photo (again, pictured right) from the last months issue of the Martha Stewart Weddings. When we originally spied the photo we naturally assumed they were made from coffee filters. As we figured we could get the general idea ourselves, we tried looking up a how-to on the subject with not much luck. So we did what we do best and made it up.