 Print this page
Having recently returned from a trip to Madrid, I found myself still marveling over the brilliant colors I had seen there, most evident in the city’s cathedrals, which displayed gorgeous stained glass tributes to all the familiar figures of the Catholic church. I’ve always had an affinity for stained glass, most specifically the Art Deco period, which you can see examples of in the pictures below. While most people think of stained glass as something you really only find in churches, in reality its had a much more diverse spread, finding its beginnings as far back as the 4th century.

by Atelier Teee
Creating stained glass is a daunting task, as there are several major steps to completing such a piece of art and require to maker to be equal parts artisan and craftsman. The glass itself would be colored using metallic salts during its manufacturing process, then artfully arranged between lead strips to hold together the design. These windows can also be created by painting a design on and having the glass annealed in a furnace to set the colors. The first method is the more revered, although both are still considered stained glass. These windows were incredibly durable, some of them lasting hundreds of years ( in Western Europe, stained glass windows from the Middle Ages are the major form of pictorial art to have survived to this day.)
Stained glass found its beginnings in clay pots, where it was mixed with metal oxides while in a melting state over a furnace. Copper oxides were added to produce green, cobalt for blue, and gold was added to produce red glass, creating what was called pot metal. The types of stained glass diversified from there, finding form in cylinder glass, crown glass, table glass and flashed glass (all these were named for the technique used to create each type of glass.) Each method produced different variations in color. Today there are modern glass factories who produce the glass using traditional methods and modern expediency, located everywhere from the USA to England, Russia and Poland.

by Tomasz1950
Around the time of the Protestant Reformation, many of these windows were smashed and replaced with plain glass. Why anyone would want to destroy works of such beauty is anyone’s guess, although it was most likely believed that the windows were symbols of religion that needed to be destroyed per the ideas driving the Reformation. Luckily, the early 19th century brought the Catholic revival and along with it the reintroduction of stained glass. This is the time period in which stained glass became closely associated with both Catholic churches and Gothic styling. William Morris and Edward Burne-Jones were both very popular stained glass manufacturers in the late 19th century, both considered “Pre-Raphaelite” designers. The difference in art styles was palpable, although to the untrained eye the identifying marks of a stained glass artisan’s work were less easily identified. Louis Comfort Tiffany appeared on the scene in 1880, who is still quite famous to this day for the timeless Tiffany style.
The twentieth century brought change and modernization to the craft, and the Gothic movement was pushed aside to make way for newer styles. Today there are actually traditional establishments in which you can learn the skill of stained glass creation, such as Florida State University’s Master Craftsman program. There is also The Stained Glass Association of America, a 100 year old organization that focuses its energies on protecting and furthering the craft. It’s thanks to these sources and many more than the exquisite craft of stained glass still flourishes today.
More Images of Stained Glass:

by Atelier Teee

by Bat Guano

by e³°°°’s

by Gervo1865_2

by Atelier Teee

by Brandon Cirillo

by Tomasz1950

by adamrice
25 March, 2008 22
Did you enjoy our post? Get our blog feed by Email or RSS for daily updates.
  Showing 1 - 19 of 19 Comments
 
klip25 Mar, 2008 @ 8:37 AM
This is simply stunning. Thanks for sharing these incredible images
 
retsof25 Mar, 2008 @ 9:05 AM
If you are ever near Winter Park, Florida, a northern enclosed suburb of Orlando, this place is worth a special trip.
http://www.morsemuseum.org/
It has the largest collection of Tiffany glass anywhere, including the reconstructed Four Seasons windows and the chapel interior from the 1893 Columbian Exposition.
Also of special note is the First Presbyterian Church in Springfield, IL
http://www.lincolnschurch.org/
This church has seven exceptional Tiffany windows. It is open most days because of the Lincoln connection. Notice the different light on the windows at different times of the day. It is also possible to inspect them closely to see how Tiffany used different thickness and foldings of glass to create the flowing robes of the angels.
 
retsof25 Mar, 2008 @ 9:16 AM
Go to google images and search for "stained glass" for much more
http://www.answers.com/topic/curtis-publishing-company
The Curtis building in Philadelphia has a famous Tiffany mosaic based on a Maxfield Parrish painting, Dream Garden. Steve Wynn wanted to move it to Las Vegas, but $3.5 million was raised to leave it where it is.
 
retsof25 Mar, 2008 @ 9:22 AM
Yes, this pattern does seem to be the one to use.

Colors were already existing named stained glass colors.
 
retsof25 Mar, 2008 @ 11:21 AM

That was an excercise like the Van Gogh room. 5 colors picked from the windows can hardly describe the multicolored effect.
 
Faerenach25 Mar, 2008 @ 11:41 AM
And I see you have Sagrada Familia there... but no Palau! Tsk tsk!

 
watchthes…25 Mar, 2008 @ 7:29 PM
my take on stained glass:

 
Cali Punk…25 Mar, 2008 @ 8:25 PM
Thanks to the lucky oliver contest, I was introduced to this site. My top pallette is from that contest and is

Pattern from it:

Yay colour lovers!
 
bonafilia27 Mar, 2008 @ 4:23 AM
as a stained glass artist, it's always nice to read that people still appreciate this kind of art today...
Mélissa
 You must be logged in to post a comment. 3 Trackbacks So Far... Hooray!
| 彩色玻璃的历史 | 4空间 25 Mar, 2008 @ 9:46 PM
[...] 最近结束旅程返回马德里,我发现自己仍惊叹于在旅程中所看到的灿烂的色彩,最明显的是体现在城市的教堂里,即用来悼念我们所熟知的重要人物的天主教堂中所展示的绚丽多彩的彩色玻璃。我对彩色玻璃总是有一种亲和力,尤其喜欢装饰艺术时期的作品,你可以看到下面照片中的一些实例。虽然大多数人认为的彩色玻璃只会在教堂里找到,但实际上它有一个更多元化的分布,而寻找它的开端要追溯到4世纪。 制造彩色玻璃是一项艰巨的任务,因为需要几个重要步骤才能完成一幅作品,并要求以制造商来平等地分配分工匠和技师。玻璃本身在其制造过程中要用金属盐类进行着色,然后巧妙地排列铅条,以保持原来的设计方案。这些彩色窗户也可以通过在已经在炉中退火的玻璃上绘画来制造。 虽然人们认为这两种方法正制造的都是彩色玻璃,但第一种方法是更令人崇敬的。这些窗户也都令人难以置信的耐用,其中的一些可以保持数百年(在西欧彩色玻璃是从中世纪至今的主要图案绘画的形式之一)。 彩色玻璃是在制造陶罐时在熔融的物料里混合进金属氧化物的的过程中发现的。添加的铜氧化物能制造出绿色玻璃,加钴产生蓝色玻璃,加金生产红色的玻璃,制造出来的物品在当时被称为罐金属。该类型的彩色玻璃多种多样,能做出来的形式有柱形玻璃,皇冠形玻璃,平板玻璃,发光玻璃(所有这些命名是依据于制造这类玻璃的技术),每种方法产生了各种不同的色彩。今天,世界上有一些现代化玻璃工厂使用传统方法和现代技术生产彩色玻璃,它们位于世界各地,从美国到英国,俄罗斯和波兰等。 宗教改革时期,有很多的这些窗户被打碎,并代之以普通玻璃。人们总会猜想为什么会有人想要摧毁这些优美的作品呢?尽管最有可能认为,窗户是宗教的象征,需要加以摧毁每一个旧的理念来推动改革。幸运的是,十九世纪初所带来的天主教的复苏致使彩色玻璃得以恢复使用。这个时期彩色玻璃的使用,使天主教教堂和哥特式风格发生了紧密的联系。 在19世纪后期,威廉.莫里斯和爱德华.波内-琼斯都是很受欢迎的彩色玻璃制造商,双方都被认为是“前拉斐尔派”的设计师设计师。艺术风格上的区别是显而易见的,虽然对外行来说识别哪一位的彩色玻璃作品不是件容易的事。路易.康福德.提凡尼于1880年显露才华,至今仍已其永恒的提凡尼风格而闻名于世。 二十世纪带来的变化和现代化的工艺,把哥特式运动推向了一边,以让路给新的风格。今天,世界上还有真正的传统场所,在那里你可以学到彩色玻璃制造的技能,如佛罗里达州立大学的大工匠项目。此外,还有美国彩色玻璃联合会,一个百年的老组织,集中精力保护和发扬手工技艺。得益于他们,更多的精美的彩色玻璃的艺术作品在今天仍然盛行于世。 link [...] | | 彩色玻璃的历史 | 煎蛋 26 Mar, 2008 @ 3:16 AM
[...] 原文太长,不太适合在煎蛋发布,更多内容见4空间 link cT="0";nc="#444444";nBgc="#FFF7DE";nBorder="#F5E5A9"; [...] | | s h j copper craftsman 2 Apr, 2008 @ 1:55 AM
[...] solutionsbig titted asiandeborah grimailaretirement communitieseaster flaginternet day tradingStained Glass: A Colorful Mosaic of HistoryStained Glass: A Colorful Mosaic of History By Colette Bennett in Art, Culture, NewsPrint this page [...] |
|
 
Do you have something interesting and colorful you want to share with over 600,000 lovers per month? We'd love to have you as a guest author, so send us an email with your tips or what you'd like to write about. Send Us Your Ideas or Tips
 Browse Archives
Search Blog

|
 |